Editing Super Mario Land 2: 6 Golden Coins
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It was Kiyotake's idea to introduce [[Wario]] as a new character, with whom he discussed it with the assistant character designer [[Takehiko Hosokawa]], before presenting the idea to the rest of the game's staff. Before Wario's actual character development, his name was the first thing that was decided on. It was derived from the Japanese word "warui", meaning "bad". The idea to have an upside-down "M" on his cap (representing a "W") received immediate, enthusiastic support by the rest of the development staff.<ref name="Shogakukan guide"/> Wario's character was based on the idea that a protagonist should have an arch-rival and nemesis. Kiyotake compared Mario and Wario to comic book characters {{wp|Popeye}} and {{wp|Bluto}}'s relationship, where Bluto is larger, stronger, and more cunning than his counterpart, and normally motivated by self-interests. After the idea of Wario was agreed on by the rest of the staff, Kiyotake discussed the details of in-game sprite animation and movement with programmer [[Takahiro Harada]]. As well as Wario, there were many other characters which was proposed by Kiyotake. Many of these were either direct rejects, or characters that did not gain approval from the wider staff team. | It was Kiyotake's idea to introduce [[Wario]] as a new character, with whom he discussed it with the assistant character designer [[Takehiko Hosokawa]], before presenting the idea to the rest of the game's staff. Before Wario's actual character development, his name was the first thing that was decided on. It was derived from the Japanese word "warui", meaning "bad". The idea to have an upside-down "M" on his cap (representing a "W") received immediate, enthusiastic support by the rest of the development staff.<ref name="Shogakukan guide"/> Wario's character was based on the idea that a protagonist should have an arch-rival and nemesis. Kiyotake compared Mario and Wario to comic book characters {{wp|Popeye}} and {{wp|Bluto}}'s relationship, where Bluto is larger, stronger, and more cunning than his counterpart, and normally motivated by self-interests. After the idea of Wario was agreed on by the rest of the staff, Kiyotake discussed the details of in-game sprite animation and movement with programmer [[Takahiro Harada]]. As well as Wario, there were many other characters which was proposed by Kiyotake. Many of these were either direct rejects, or characters that did not gain approval from the wider staff team. | ||
Kiyotake was very fond of the untouchable [[Bee Fly]] enemies used in [[Tree Zone|Tree]] and [[Macro Zone]]s, even causing him to "burst out laughing" after he first interacted with them after they were programmed. He was eager to see the | Kiyotake was very fond of the untouchable [[Bee Fly]] enemies used in [[Tree Zone|Tree]] and [[Macro Zone]]s, even causing him to "burst out laughing" after he first interacted with them after they were programmed. He was eager to see the Bē remain in the final game, as he was amused by how it would likely annoy players. While developing the controls for the game, Harada considered that players may find it difficult to hold down two buttons on the [[Game Boy]]'s D-pad to move in a diagonal direction. This was kept in mind while programming how Mario's [[Bunny Mario|Bunny]] and [[Space Mario|Spacesuit]] performed high jumps. | ||
[[Kazumi Totaka]], who composed the music for ''Super Mario Land 2: 6 Golden Coins'', acknowledged that the sound effect played when transforming into [[Super Mario (form)|Super Mario]] was originally identical to the one used for ''[[Super Mario World]]'' until about midway through development.<ref name="Shogakukan guide"/> However, he was afraid that the player would be given an impression that they are playing a game that overlaps with ''Super Mario World'', and become "negatively conscious" that they were playing on a small Game Boy screen compared to the television screen used by the [[Super Nintendo Entertainment System]]. Therefore, Totaka chose to use many different sound effects across other past ''Super Mario'' games. Asides from composing, Totaka also had a partial role in some of the discussions between Kiyotake, Harada, and Hosokawa. Totaka was able to provide comments and feedback while proposed ideas were being evaluated. He was also able to come up with suggestions of his own, although these were mostly rejected.<ref name="Shogakukan guide"/> | [[Kazumi Totaka]], who composed the music for ''Super Mario Land 2: 6 Golden Coins'', acknowledged that the sound effect played when transforming into [[Super Mario (form)|Super Mario]] was originally identical to the one used for ''[[Super Mario World]]'' until about midway through development.<ref name="Shogakukan guide"/> However, he was afraid that the player would be given an impression that they are playing a game that overlaps with ''Super Mario World'', and become "negatively conscious" that they were playing on a small Game Boy screen compared to the television screen used by the [[Super Nintendo Entertainment System]]. Therefore, Totaka chose to use many different sound effects across other past ''Super Mario'' games. Asides from composing, Totaka also had a partial role in some of the discussions between Kiyotake, Harada, and Hosokawa. Totaka was able to provide comments and feedback while proposed ideas were being evaluated. He was also able to come up with suggestions of his own, although these were mostly rejected.<ref name="Shogakukan guide"/> | ||
